SATURDAY NIGHT FEVER and the Contemporary Dance Film: Towards a Unified Genre Theory of Dance Cinema
This thesis traces the advent and development of both "High Concept" Hollywood industrial practice and the relation thereto and key role played in such by Dance Movies. Beginning with SATURDAY NIGHT FEVER, then tracing its innovations through FLASHDANCE, FOOTLOOSE, DIRTY DANCING, and SAVE THE LAST DANCE, this thesis also provides a preliminary unifying genre theory of Dance Movies and their evolution from a hybridized sub-genre of sports films and the Hollywood Musical to a more fully-formed, unique, freestanding generic status. I also explore and delineate cross-promotional marketing-- specifically between the music and film industries, and the key personalities and pioneers in each field. The thesis therefore examines a key nexus of socio-cultural and industrial factors in shaping the type of films and music made and marketed during a key transitional point in film and pop music histories in the late twentieth century and its continually felt reverberations today.
Yazar | Nathan Scoll |
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Yayın Evi | LAP LAMBERT Academic Publishing |
tarafından gönderildi | 6 Ağustos 2011 |
5 Ocak 2017 Schott LAP Lambert Academic Publishing Willard A Palmer 4 Ocak 2017 Simple Planners 2020 Kolektif 3 Ocak 2017 1 Ocak 1984 Alfred Music Personal Planners 2020 Ricordi Alfred Publishing Co.(UK)Ltd Independently Published 1 Haziran 2018 1 Ocak 2018 Nifty Planners 2020 Various
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Baskı Detayları
Yazar | Nathan Scoll |
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İsbn 10 | 3845418117 |
İsbn 13 | 978-3845418117 |
Yayın Evi | LAP LAMBERT Academic Publishing |
Dil | İngilizce |
tarafından gönderildi SATURDAY NIGHT FEVER and the Contemporary Dance Film: Towards a Unified Genre Theory of Dance Cinema | 6 Ağustos 2011 |
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