Film Tanitim Gezileri: Ayrilmis Koltuk Sinirli Gosterilerinin Tarihi ve Filmografisi, 1911-1973
This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywoods star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entreacte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotioni.e., the ballyhoo.
Yazar | Kim R. Holston |
---|---|
Yayın Evi | McFarland & Co |
tarafından gönderildi | 15 Kasım 2012 |
Franklin Classics Trade Press Routledge; 1 basım 4 Ocak 2017 Various Routledge; 1 basım 1 Ocak 2018 Literary Licensing, LLC 1 Haziran 2018 Independently Published Kolektif ROUTLEDGE Routledge 1 Ocak 2015 Anonymous 5 Ocak 2017 18 Haziran 2018 Icon Group International Kessinger Publishing
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Baskı Detayları
Yazar | Kim R. Holston |
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İsbn 10 | 0786460628 |
İsbn 13 | 978-0786460625 |
Yayın Evi | McFarland & Co |
Dil | İngilizce |
tarafından gönderildi Film Tanitim Gezileri: Ayrilmis Koltuk Sinirli Gosterilerinin Tarihi ve Filmografisi, 1911-1973 | 15 Kasım 2012 |
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